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printer friendly interview |
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June 2007
"Jazz Monthly Feature Interview" Paul Taylor
Smitty: Well, I am extremely excited about my next guest here at JazzMonthly.com. Trust me, he is no one-hit wonder. He is a mega hit machine. In fact, if his music was a cell phone number, he would be in my five. (Both laughs.)
Paul Taylor (PT): All right!
Smitty: His great new record is called “Ladies’ Choice” and it features a fantastic cast of musicians! Please give a warm welcome for Peak recording artist, the incredible Mr. Paul Taylor. Paul, how ya doin’, my friend?
PT: I’m doing well. Thanks so much, Smitty. Glad to be here with ya.
Smitty: Yeah, man. I am excited about this new record Ladies’ Choice. Man, when I first heard the title, I said oh, this is gonna be some hot stuff here! (Both laugh.) Now, I wanna thank you too for remembering the seventies, my friend. (Laughs.)
PT: Right on. Yeah, definitely. It’s kind of a little homage to the seventies, I mean Ladies’ Choice, because I think the term, not that it’s a seventies term, but I think it was born in the seventies when we were out at a house party or at a disco club back then in those days, everything was going well and then all of a sudden the DJ goes “All right, this dance is ladies’ choice.” So if you’re lucky enough to get called for a dance, it was kind of a cool feeling.
Smitty: Yeah, man. I remember that. I got a charge when I saw that, Ladies’ Choice.
PT: (Laughs.)
Smitty: And you know what? You’ve got some great tunes on here for the ladies to dance to as well. These are some great tracks. In fact, I really like Track 3, “Here We Go.” It’s got that real upbeat vibe.
PT: Thanks a lot. Yeah, we got the multi-tracking, the saxes in there, and the feeling I get when I play that is just a great feeling, definitely, like “Ladies’ Choice.”
Smitty: Yeah, and “Overdrive” is a great dance tune, Track 10, which is really cool. And my favorite track—I’m a little torn on Track 8 and Track 5. Now, Track 5, “Streamline”…
PT: Mm-hmm?
Smitty: I’ve hit the repeat button quite a few times on that one. (Laughs.)
PT: All right! Yeah, that’s got a really heavy duty mix on that one, a really aggressive mix. I like that
Smitty: Yeah, man. That one is really cool, and I gotta tell ya, I’m in love with Lauren Evans. (Laughs.)
PT: All right! (Laughs.) “A Love of Your Own.”
Smitty: Yeah, what a track, man.
PT: Yeah, that came out really nice with Rex Rideout and we dug out an old AWB [Average White Band] tune, so “A Love of Your Own” is a really nice song I wanted to do.
Smitty: Yeah, it brought back some memories, man. (Laughs.) And speaking of that, man, you got a couple of great cats in Rex Rideout and Barry Eastmond. Man, you couldn’t do any better than that.
PT: No doubt, I’m in good hands all the time, so I’m really fortunate.
Smitty: Yeah, those are two great cats. I don’t think people sing their praises enough because they’re sort of behind the scenes, but what they put out front for us to hear is just totally incredible.
PT: No doubt.
Smitty: Yeah. So, now, talk to me a little bit about what made you remember the seventies, man, to do the ladies’ choice thing?
PT: Well, you know, Smitty, it really started as going into the studio on this project, pretty much open minded, letting it kinda follow wherever it went, so when I got together with Barry, he was the first producer I worked with, and I think the first day we did what was “Ladies’ Choice,” and so I stepped back and listened to the vibe of it and he goes “Man, this sounds like ladies’ choice. This is the jam.”
Smitty: Yeah.
PT: And so he liked that and then I submitted it to the record company, the record label, and they liked it, and so then basically it just kinda took on a life of its own and we started getting songs, different songs, and Andi recommended—that’s my manager—she recommended having more vocal songs on it, maybe getting some Urban/AC airplay as well. So it just kinda took off from there. We’ve got Regina Belle on there, LaToya London.
Smitty: I know. Terry…
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